Excerpts from Criticism of the Works of the Most Significant and Widely Studied Poets of World Literature.
Poetry Criticism (PC) presents significant criticism of the world’s greatest poets and provides supplementary biographical and bibliographical material to guide the interested reader to a greater understanding of the genre and its creators. This series was developed in response to suggestions from librarians serving high school, college, and public library patrons, who had noted a considerable number of requests for critical material on poems and poets. Although major poets and literary movements are covered in such Gale Literary Criticism series as Contemporary Literary Criticism (CLC), Twentieth-Century Literary Criticism (TCLC), Nineteenth-Century Literature Criticism (NCLC), Literature Criticism from 1400 to 1800 (LC), and Classical and Medieval Literature Criticism (CMLC), librarians perceived the need for a series devoted solely to poets and poetry.
Scope of the Series
PC is designed to serve as an introduction to major poets of all eras and nationalities. Since these authors have inspired a great deal of relevant critical material, PC is necessarily selective, and the editors have chosen the most important published criticism to aid readers and students in their research.
Approximately three to six authors, works, or topics are included in each volume. An author’s first entry in the series generally presents a historical survey of the critical response to the author’s work; subsequent entries will focus upon contemporary criticism about the author or criticism of an important poem, group of poems, or book. The length of an entry is intended to reflect the amount of critical attention the author has received from critics writing in English and from critics who do not write in English whose criticism has been translated. Every attempt has been made to identify and include the most significant essays on each author’s work. In order to provide these important critical pieces, the editors sometimes reprint essays that have appeared elsewhere in Gale’s Literary Criticism Series. Such duplication, however, never exceeds twenty percent of a PC volume.